I like the way that you hold my hand
and I love the way that your hair falls down
when you press your mouth against my own
and you do the things that make me moan
I like the fact that your heart is pure
and you’re strong and wild and soft and sure
and gave me hope to love again
so you’re the one that I let in
Baby, Baby, come back to me
Don’t you know that we got so much
to see together, and we just got started
Baby, Baby come back to me
I know you’ve got a choice to make
and somebody’s heart is gonna break,
Lord, don’t let it be me
I know the way that you feel inside
like an ax will drop when you finally decide
and either way you lose a piece
of what you want and what you need
And though I try to let you go
be cool inside and just lay low
I want you here with me tonight
I miss you bad, I miss you right
Baby, Baby, come back to me
Don’t you know that we got so much
to see together, and we just got started
Baby, Baby come back to me
I know you’ve got a choice to make
and somebody’s heart is gonna break,
Lord, don’t let it be me
I’ve had so many heartaches,
so please don’t be hurting me
I’ve had so many heartaches
so please don’t be hurting me
credits
from Blame Sally,
released April 5, 2004
Words and Music Renée Harcourt
The legendary Richard Thompson's new solo album exemplifies his many musical paths, from pop and cabaret to jazz to traditional folk. Bandcamp New & Notable Mar 2, 2024
Cara Beth Satalino's delicately melodic yet resilient indie folk songs sparkle with lyrical wit and hard-won wisdom. Bandcamp New & Notable Feb 10, 2024
The experimental spirit permeating this collection of Japanese acid folk foreshadowed the arrivals of city pop, the psych revival, and folktronica. Bandcamp Album of the Day Jan 25, 2024